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Guitar Musician   e-zine     05/25//05

In This Issue:


"Without music, life would be an error."

                                   - Friedrich Nietzsche quotes (German classical scholar, philosopher and critic of culture, 1844-1900.)

Some Humor

  A lady was picking through the frozen turkeys at the grocery store, but
couldn't find one big enough for her family. She asked a stock boy, "Do
these turkeys get any bigger?"  The stock boy replied, "No ma'am, they're


Click here for all products by Taylor.

T5 Guitar

Taylor's foray into the electric world yields stunning results.

By Walter Skerrit

Long revered for their inimitable acoustic guitars, Taylor has now created a fully hollow, thinline guitar which sports both magnetic pickups and the Taylor Body Sensor. The result is an astoundingly musical and playable instrument that performs admirably in both the electric and acoustic camps while shining brilliantly in a new tonal universe of its own.

Musician's Friend Hands-On Product Review: Taylor T5 Guitar Amazing precision
The first thing that struck me about this instrument was the phenomenal precision of manufacture. In 30 years of playing and collecting, I have never seen a guitar made so perfectly. Every joint, every bit of binding, every square centimeter of finish, every inlay�literally everything about this guitar is perfect.

This made sense after I talked with Bob Taylor himself. Here is a guy who gets just as excited about manufacturing processes as he does about guitars. "This place looks more like a lab than a guitar factory," he said, pointing out a laser that cuts shims to adjust Taylor necks by increments of four hundredths of one degree. "The way we do it is almost cheating, but I don't care. The object is to create as perfect an instrument as we can. Our acoustic guitar buyers have been enjoying this kind of precision for many years. Now it's time for electric guitarists to get in on the game."

Wonderful woods
The three-dimensionality of the heavily flamed, bookmatched maple top is expertly enhanced by an enchanting transparent blue gloss finish. "This finish is seven mils thick," Taylor says, "compared to most electric guitars at 20 to 30 mils thick. You can't have that heavy finish on a soundboard that needs to behave acoustically."

The back and sides are routed out of solid high-grade sapele. "We tested all different kinds of woods for tone, workability, and ability to hold a finish. Sapele kept coming up the winner," Taylor said. The back is very uniform and thin, evidenced by the instrument's amazingly light weight and acoustic resonance.

The fretboard and bridge are made from monolithic chunks of ebony with sweet satin finishes. The peghead overlay is a gorgeously variegated ebony polished to a high sheen and flawlessly bound. The T5 is also available with a spruce top for those seeking a warmer tone.

Click to Enlarge Daring design
The original body shape of this guitar is aesthetically arresting, similar to a traditional small-body acoustic with a Venetian cutaway, two and a third inches deep. The top is set off by a couple of unique pointed bound f holes.

"The body shape itself is full of subtle curves," Taylor said. "It's thicker at the tail than at the heel block, the back is slightly arched, the edges are rounded, the heel is trimmed on the treble side. Even our wave compensation bone saddle is precision machined in 3-D on a computerized mill. All these subtle touches require every bit as much luthiery as an acoustic."

Like Taylor's acoustics, the T5 features a bolt-on neck. But it's not like any bolt neck you've ever seen. Its unique puzzle-lock joinery is so tight there's barely room for air to escape when they push it together. And when the single bolt tightens it down, the "interference fit" forces the neck forward and down into the body. The resulting lock is as solid and tight as most set neck joints, but it's removable for angle adjustments.

Honey-throated tone
The bold visual impression this guitar made was overshadowed as soon as I played the first chord. Even unplugged, it's a true delight to the ears. Its acoustic tone is surprisingly full-bodied for a thinline guitar, rich in the complex overtones that give a hollowbody its special magic.

"The solid back and sides and the magnetic pickups follow the archtop school of thought," Taylor said, "but the top is more like a flattop acoustic, with a thin piece of wood braced into a slight compound-radius arch. It provides a lot more sustain than a traditional archtop."

Click to Enlarge Technological brilliance
That natural openness and sustain creates a unique and amazing tone in the electronic realm. The guitar is equipped with two custom stacked humbucking magnetic pickups and a Taylor Body Sensor. One humbucker is placed near the bridge, protruding through a cool bound port in the top. The other is invisible and is placed inside the end of the fretboard.

Three low-profile rounded rubberized knobs on the upper bout control active treble boost and cut, active bass boost and cut, and volume. A five-position pickup selector on the side of the upper bout lets you choose the neck pickup and the body sensor, the neck pickup alone, the bridge pickup alone, or both magnetic pickups in series or parallel.

While the T5 sounded great with my classic tube amp�and exhibited a huge range of possible tones�it sounded even better when I ran through an A/B/both box into my classic tube amp on one side and a clean acoustic-guitar amp on the other. This dual setup enabled me to get great distorted lead tones with a ton of high-end sparkle as well as airy and articulated acoustic guitar tones. I played both tones together to create a kind of live double tracking that totally killed.

While it nails both ends of the spectrum, I fell in love with the T5's unique tones that define a whole new realm between electric and acoustic. In this unexplored zone the true tonal integrity of the guitar really rings out. It combines archtop-style fullness with acoustic brilliance and single-coil bite to create a whole new set of possibilities�something totally new that's also really cool. You don't run into that every day.

Taylor has a sure winner with the T5. It's all that and a whole lot more!


Features & Specs:

  • Solid maple or spruce top
  • One-piece sapele body
  • Tropical American mahogany neck
  • Bound ebony 21-fret fingerboard
  • Variegated ebony bound headstock overlay
  • Micro Dot mother-of-pearl fretboard inlays
  • 5-ply body binding
  • Bone nut and saddle
  • T5 custom bracing
  • Chromeplated Taylor sealed tuners
  • Taylor T5 dual stacked humbuckers and body sensor
  • 5-position pickup selector
  • Active bass cut and boost
  • Active treble cut and boost
  • Gloss finish
  • 1-11/16" nut width
  • 24-7/8" scale length
  • 16" body width
  • 20" body length
  • 2-1/3" body depth
  • Taylor T5 hardshell case

For more info on ordering this product email us

Guitar Q & A


The Best Guitars for Blues and Country Music

Kyle Williams; San Rafael, CA

Q: I've been asking a lot of people which guitar they would use to get a bluesy, country type sound. Can you give me some ideas? I am thinking of getting one for my birthday at the end of the month.

A: There really are no limitations to what guitar you can use to play a certain style of music but here are some of the most popular guitars used in these genres of music.

For Blues:
The Les Paul is the classic and is widely used because of its full tone and great sustain. It has two humbucker pickups and a three-way toggle switch to generate different tones.

The Semi-Hollowbody with F-holes is another popular blues axe. These guitars have two holes in the top of the guitar shaped�you guessed it�like Fs. Because of its hollow chambers, it generates a bass full tone. It can also achieve long sustaining notes when the sound regenerates in the hollow body causing something similar to a microphone feedback effect. Many manufacturers make this style of guitars.

For Country:
The Stratocaster� is the guitar of choice for many players. This guitar has three single-coil pickups and usually comes with a five-position toggle switch to make different combinations of pickups that create a wide spectrum of tones. It is perfect for playing the famous Country "Chicken Pickin."

The Telecaster� is also a great country guitar. It has two single-coil pickups and a three-position toggle switch. It has a thicker body than a Strat� and because of that has a thicker tone.

My suggestion to you is try playing different style-guitars and see which one sounds and feels best in your hands.

Hope this helps!


Yours in Music
John McCarthy
Rock House